It burns burns burns

The Union was the only decent rock club in Athens, OH. Any decent band to come through town (and there weren’t all that many) would play there. They also had the only decent jukebox in town, mainly stocked by some guy that’d just come off an internship at SST. On my twenty-first birthday, my friends Don Fluckinger and Jeff Stacklin asked me what song I wanted to hear to commemorate my first legal trip to the Union. There was no doubt. I ignored all the H,sker D,, Black Flag, Minutemen, and Meat Puppets singles and said “Why are you even asking me?” Don put six quarters (a lot of money to a college student in 1990) in the jukebox, and punched in “Ring of Fire” twenty-one times. by the time it came up, I was starting to black out, but I remember the first few plays. Don tells me they pulled the plug after the fifth or sixth time, and the record was gone the next time we went in.

The Golden Path Rocks us

ipodicon.gifFrom Matt DeV.: a video today, The Chemical Brothers/Flaming Lips collaberation The Golden Path (on ArtistDirect). It sounds like Echo and the Bunnymen singing “Spill the Wine.” Nice. By the way, fuck you, RIAA, pull your heads out of your asses and put out some good records at a reasonable price, and maybe you’ll make some money.

RIP Wesley Willis

James Ballot just reminded me I didn’t say anything about Wesley Willis’ death last week (registration required). Here’s another good piece on Wesley . It’s a great loss, of course, but all the media coverage was kinda weird. The Tribune story was way over-the-top, and you could sense that they were happy to be able to write a story about him without having to worry about him showing up at their office to hang out. It’s a lot easier to heap praise on outsider art when the annoying and unpredictable outsider isn’t around anymore. I’m not sure if I miss being headbutted by a huge smelly crazy homeless dude at the Empty Bottle every night, but Wesley made Chicago a little less boring in the 90s, and whichever side of the exploitation argument you fall on, both his life and ours were enriched by his art. I can’t find an MP3, but Heavy Vegetable’s “Song for Wesley” is the most endearing tribute I’ve seen or heard, and it’s the best, because it was written while he was still alive. It ends, in Wesley style, “Rock over London, Rock on Chicago, Wesley Willis, whoopin’ on a mule’s ass with a belt.”