Category: Lifestyle

MP3s Lost In Translation: An Efficient Italian Assembly?

SIP Scooter Shop shared a video on their Facebook page today. It is a National Geographic program clip about the Piaggio factory in Pontedera. The video has a few shots of vintage machines in their museum. But one of the views that appealed to me was the factory building tucked in the Tuscan hills shown in the background of the test ride shots. I don’t know if the buildings are the same, but it was reminiscent of those old aerial photos of the factory from the 1950s. Other parts show the processes involved in the building of their larger engines (What are they doing tossing crankshaft halves into big vats of rocks?!) and the assembly of the MP3 hybrid scooter. Not a 2-stroke in sight. I wonder where they build those? I focus on the visual aspects of the video because it’s all in Italian, a language I do not understand. If anyone wants to translate any remarkable points of what looks to be a standard factory tour for the kind of shows that used to make the Discovery Channel great before they jumped the shark, feel free to post below.

Corradino D’Ascanio Honored With Exibit At Pontedera

The New York Times Wheels Blog offers a report on the man behind the original design of the Vespa. The most interesting note for those immersed in all things Piaggio, is that he was left to design trade show displays instead of the helicopters that he really wanted to work on. He was a great designer because he started with the user and moved out from there. Today most things start with an industrial designers screen and are forced around a user, with poor results. Step away from the CAD software and Illustrator, dudes. Just because it makes a pretty picture does mean that it will make a useful object. D’Ascanio knew this. Lets be thankful that he didn’t have the tools that modern designers have.

Thanks to Scooterville in Minneapolis for sharing the post on facebook. The owner, Bob, once designed sets and trade show displays and now sells Vespas. Full circle.

The Last Grand Prix Motorcycle Race & The Ghosts of Lambretta

The British rider Danny Webb has put the Mahindra Motors Racing 125cc Grand Prix motorcycle on Pole Position for the final round of the 2011 Championship at Valencia, Spain. This is significant on several levels.

Mahindra Motors acquired the Italian firm Engines Engineering prior to the 2011 season in an effort to go racing. Engines Engineering had be entering machines in Grand Prix racing before, but it was under the Lambretta name in 2010 with Marco Ravailoli and a raft of temporary guest riders. While the young Italian and his teammates made valiant efforts under the Lambretta Reparto Corse banner, the switch to Mahindra racing colors and new riders, Danny Webb and Marcel Schrotter, has resulted in a better points placement this season. German and British hands seem to be able to get old Lambrettas going a bit quicker.

The Lambretta to Mahindra conversion also mirrors an Indian continuation of the Lambretta efforts. Interestingly, Scooters India Limited (SIL), the company that took over producing Lambretta models in the subcontinent, is up for sale. Piaggio, Atul Auto and Mahindra have all thought about acquiring the state-run factory, but have reconsidered in recent months. If they had bought the currently money losing company it would have made for a very tidy story!

The saddest and most important part of this event is that it is the last time two-stroke machines will compete at the top level of World-Class racing. It’s not that four-stroke 125s haven’t raced before and been magnificent. But for the last 40 years two stroke machines have dominated at least one class of Grand Prix racing and now it comes to an end. Not by lack of competitiveness, but by simple rule change. Manufacturer goals have changed and that sweet 2 Stroke Buzz plays no role in these aims. The new class will be single-cylinder four-stroke engines and Mahindra and others including Honda and KTM will field machines. But it certainly won’t be the same. Not the same noise, the same smell, the same simple beauty of the two-stroke steeds.

If you’d like to see the event, you can watch live from MotoGP.com for a price. The race starts at 4:00 AM CST on Sunday (tomorrow) morning. Less than an hour later will be a distinct end of an era.

Future Of The Past

Is a new slogan for Giannelli exhausts, or maybe just a poor google translation. The company is reintroducing many of its pipes for mopeds and scooters from 1980’s on the angle that if it was good enough 25 years ago it’s good enough for old guys with more money to relive their youth with now. Also appears the company will introduce a new exhaust for the 4-stroke LML Stella/Star. Living in the past not for you? Well then maybe the MyMuffler program from Polini is more your style. I’m sure you often thought “boy would I like my name emblazoned on the can of my exhaust” well now you can!

The Who Sell Out (Again)

A few years back, Lambretta Clothing teamed up with The Who to reissue some of the band’s Mod-est attire, including the famous parka from the cover of Quadrophenia, pre-stenciled for your convenience. Apparently Lambretta marketing contracts aren’t worth much these days, so with a new Quadrophenia CD/DVD “Directors Cut” box set coming out, they’ve switched alliances to Vespa. Mancunian twit Liam Gallagher will display a new PX125-based Quadrophenia scooter, film memorabilia, and Who-insipired fashions–including (again) the Quadroparka–at his Pretty Green clothing store on (where else?) Carnaby Street.

In other news, Noel Gallagher has installed turnstiles at Easington Colliery, charging punters £5 to urinate on a lump of concrete.

Quadrophenia, aside from its obvious charms to scooterists (and I admit a compulsion to watch it occasionally), isn’t much of a film and is even less of an album, so it’s interesting to see it repackaged yet again. Confusingly, (“Director’s Cut?”) this new 6-disc set doesn’t include the film at all (the DVD is surround mixes of the album), and omits all the great music (by the Who and other R&B greats) that appeared on the original soundtrack, which was re-released in 1993 and 2000.

The album (as opposed to the soundtrack) isn’t horrible, it’s just neither the Mod music that’s the subject of the film, nor the Mod revival music that sparked its release. It’s exactly the noodly late-’70s stadium rock that Revival Mods and Punks were rebelling against at the time. It may be sacrilege (and completely against the point), but I’ve always felt, aside from a couple tracks, the film would have been better off with all music from the mod era. The book included in the box set is the most compelling component, I’d be far more interested in the backstory and Townshend’s memories than hearing demos and gimmicky 5.1 mixes. Townshend calls it “…the best album that I will ever write,” but it says a lot that the album was blocked from #1 on the charts by Pin Ups, David Bowie’s great ’60s cover album… containing two early Who songs.

Via Scooterism, of course.