It’s been a while since Vespa Video Vednesday, unless you count last week, and let’s not. Here’s another good one from David Smith’s big list:
Generally I like to go on at great length about these, but it’s five minutes to Thursday and I have a lot of American Scooterist work to do still. More importantly, I don’t know jack about these guys aside from what I see on their Myspace page. They’re English, they’ve been plugging away at it since 2005, and this video is from circa 2008. The video’s got a good chunk of joyful P-series Vespa riding footage shot with a secret prototype Holga Super-8 camera and cross-processed for a nice vintage look.
Journallive.co.uk is reporting of a sale of the Triumph Tina scooter used in photos for the Oasis interview CD “Be Somewhere Else Now”. The photo included in the story shows something close, but not quite exactly like one in a photo retrieved from an online sale of the CD in question. There is different letter placement and a horn in the ‘O’ on the bike pictured for auction. Who cares? Maybe someone buying for the purposes of provenance. I was just disappointed to find it wasn’t a Velocifero (see page 18/19).
The winner of the auction, Mark Watson, contacted us to explain:
I bought the Oasis Triumph at the Boldon auction. It came with various documents, including the certificate of authenticity. The letters on the fairing where put on the cd case using a computer. The actual stickers on the bike were put on later while the bike was displayed as an exhibit.
Ah, that all makes sense (and digital color adjustment would explain the color. Mark also explains the horn in the comments below.
A couple hours left for a Vespa Video Vednesday, so here’s a quickie musical Interlude with scooters: The Spades (featuring Roky Erickson) doing We Sell Soul, featuring a nice slideshow of mod scooters. No one could be less mod than Roky Erickson, but it works. I’m DJing at Slaughterhouse, maybe this song will get me cut off so I can get to the bar faster.
Gene Simmons of the rock band Kiss is notorious for licensing the bands’ image to anyone who’ll pay for it, so it comes as no surprise that you can now ride a Kiss scooter. The Crossrunner Kiss Celebrity Collectors Edition scooter appears to be just another Chinese Honda Joker knockoff with Kiss graphics. It was noted on Modern Buddy that the paint job is worth more than the scooter, but we’re betting it’s vinyl wrap graphics, the likes of which we’ve seen on several Chinese scooters at Dealer Expo in recent years. It’s also interesting that the photos on the site are a mirror image of each other (note the engine case is visible in both photos), it’s a Photoshop mockup, not a photo of the real bike. (The rotating image at the end of the video appears to be real, the graphics are slightly different.) If this bike features the glass piston, fake ABS brakes, and other shoddy components seen on many Chinese scooters, you might want to order a Kiss casket, too.
Ocean Colour Scene’s Steve Craddock is unloading two custom Lambrettas. Craddock claims he’s just too busy to ride, but anyone with a Lambretta fixation can tell you, you don’t sell a Lambretta unless you need the cash. Especially a surprisingly tastefully done Lambretta, that’s been on the cover of Scootering magazine twice(your editor looks in his wallet, a moth flies out.)
The Garrison, fronted by scooter racing legend and all-around good guy Scott Smallwood, plays Friday night at The Rockbox in Chicago, opening for The Bomb, fronted by Jeff Pezzati of Naked Raygun fame.
Artist: David Bowie Song: “That’s Motivation” Album:Absolute Beginners film soundtrack (1986) Scooter(s): Vespa GS Scooter content: 20 seconds Jump to the good parts: 3:56 to end
There’s not much to add to last week’s rant about “Absolute Beginners,” the musical. Great book, sort-of-embarassing film. As much as I love Bowie, his performance (or is it his character, Vendice Partners?) is a bit stilted and creepy. His Busby-Berkeley-inspired paean to advertising was probably meant to be the film’s centerpiece, but as far as overblown showtune production pieces go, Ray Davies’ Music-Hall romp “Quiet Life” steals the show and somehow seems to fit the story better. And Edward Tudor-Pole’s “song” isn’t on YouTube, but there’s a Vespa billboard in the background. If all this makes you want to see the film, I’m doing it wrong. OK, fine, it’s a guilty pleasure. But the book is a must!
But hey, back to the point, there’s a scooter in Bowie’s number. And it’s not really so bad as I remembered it. And another VVV is written and posted, on an actual Vednesday. That’s Motivation!
Did we just post two videos? and did we just miss two weeks of Vespa Video Vednesday? Never fear, we didn’t forget you. Today we have another clip from David’s list that just so happens to be one of my favorite songs:
Artist: David Bowie Song: “Absolute Beginners” Album:Absolute Beginners film soundtrack (1986) Scooter(s): Vespa GS Scooter content: 5 seconds Jump to the good parts: 2:19, 2:22, 2:36
David Bowie, of course, is a genius. As Jon Langford would put it, he’s the “Chameleon of Rock.” And Colin MacInnes’ Absolute Beginners, is definitely one of my favorite books. So what could be better than a film version directed by Great Rock and Roll Swindle director Julien Temple, featuring David Bowie AND Ray Davies (AND Edward Tudor-Pole)!?
Well, the film turned out to be nothing but a marginally entertaining (at best) musical (no!) love story that nearly ignored the book’s rich drama of gentrification, race relations, and the rise of the English teenager. The Fifties setting was overwhelmed by the Eighties set design, and today it looks dated and campy. The soundtrack holds up a little better, featuring songs from Jerry Dammers (of the Specials), the Style Council*, and rare proof that Sade was a promising talent back when she had a last name. Even Ray Davies’ subtle nostalgic song is pretty good. But the gem was this David Bowie track.
Julien Temple directed Bowie’s epic “Jazzin’ for Blue Jean” video in 1984, and Bowie was chosen to appear in the film as shady advertising magnate Vendice Partners. The single was recorded in June 1985 but delayed to wait for the film’s release. The video is nothing special, a Duran Duran-inspired parody of British “Strand” cigarette commercials with awkwardly-chromakeyed film footage worked in. The scooter footage is minimal, and all from the film (a Vespa GS graces the soundtrack album cover and makes a few appearances in the film).
But, oh, the song is so great. It strikes me as the anti-“Uptown Girl,” showing Billy Joel that Eighties arena pop could actually be fused with doo-wop without disastrous results, and thus proving David Bowie is actually capable of anything. The lyrics are beautifully vague and can make me cry if I’ve had a couple beers and I pretend it’s about whatever dramatic situation is troubling me at the moment. Even the obligatory Eighties sax solo is magnificent. It’s perhaps a bit long, though it’s available in several remixes of varying lengths across CD, CD3(!) LP, 7″, 12″ releases. The film was massively hyped before release, then panned by critics and fans, but the single reached #2 in England and nearly cracked the top 50 in the U.S.
There, it’s ten minutes until midnight, and VVV lives. All that for five seconds of secondhand scooter footage. See you next Vednesday.
*Speaking of Paul Weller, The Jam’s “Absolute Beginners,” (#4 UK charts in 1981) is surely also inspired (though equally subtly) by MacInnes’ book. It’s really a must-read novel, and in this age of remakes and re-hashed ideas, hopefully another filmmaker has a go at it, but it’s going to be hard to top the two great songs it’s already inspired.
Here’s a video recap of “The Vespa Experiment,” a Pacific-coast tour by three musicians on Vespa scooters. One of the musicans, Amber Rubarth sums it up:
I feel like this whole tour was all about getting to the core of life and purity and innocence. And, just getting back to the musical part and not in the business of it.
Sure, apart from the fact that it was PiaggioUSA marketing scheme, business didn’t enter into it at all, ha. The music’s not my thing (noodly earnest mellow acoustic pop) but they seem like nice kids. As far as PiaggioUSA marketing schemes go, it seemed pretty successful, and if nothing else, three musicians had a good time and a once-in-a-lifetime experience, so Vespa FTW!
Madness’ awesome TV commercials for the Honda City, The City was a compact hatchback with a matching folding scooter that tucked into the back, a concept that deserves to be revisited with the Fit. The jingle was later reworked as the “In the City” single, and “Honda Honda Honda” was replaced with “Doomba Doomba Doomba.”